My abstract paintings explore the interplay of color, texture, movement, and stillness.

I am deeply inspired by nature — its organic forms, changing surfaces, muted colors, and subtle details.

Rather than depicting nature directly, I translate these impressions into a reduced and intuitive visual language.

My large-scale paintings on canvas are often minimal and restrained, characterized by organic shapes, fluid areas of color, natural textures, and subtle contrasts. I am drawn to a muted palette of blues, greys, earthy tones, black, and white, creating works that range from quiet and almost monochromatic to more expressive compositions.

I work primarily with acrylics on raw and prepared canvas, often combining paint with water, pure pigments, sand, oil sticks, and pastels. My process is largely intuitive. I may begin with an idea or a certain color palette, but I rarely follow a fixed plan. I am interested in the unexpected moments when colors merge, pigments leave traces, or textures emerge as the surface dries. These discoveries often determine how a painting develops, creating a balance between intention and chance, control and letting go.

In my smaller works on paper, this intuitive approach becomes more immediate and graphic, with expressivebrushstrokes, spontaneous scribbles, lines, and areas of color.

For me, painting is also a way of slowing down.

I value abstraction for its openness and the space it leaves for individual perception. Rather than defining what a painting should mean, I want to invite viewers to pause, look closely, and discover their own associations within color, texture, and form.